Lamentablemente hubo un error. Por favor, inténtelo de nuevo más tarde.
T
Sûrement la meilleure solution pour une grosse caisse silencieuse
Avant d'acheter cette peau, j'avais commandé une rtom black hole pour ma grosse caisse que j'ai tout de suite renvoyée car ce n'était pas stable à cause du système de fixation.
Je l'ai donc remplacée par cette evans dbOne, et cette peau étant plus "normale", ce problème était donc réglé. Au niveau des sensations, je n'ai ressenti aucune différence notable par rapport à une vraie peau.
Elle est un peu bruyante pour mes besoins mais ça se règle facilement en rembourrant ma grosse caisse.
Et petit détail qui n'est précisé nulle part : Il est possible de décoller le patch pour le mettre là où la batte de votre pédale frappe la peau, donc pas besoin de réhausseur de grosse caisse, cepndant il a tendence à se décoller un peu mais on peut toujours le remplacer plus tard.
Je l'ai donc remplacée par cette evans dbOne, et cette peau étant plus "normale", ce problème était donc réglé. Au niveau des sensations, je n'ai ressenti aucune différence notable par rapport à une vraie peau.
Elle est un peu bruyante pour mes besoins mais ça se règle facilement en rembourrant ma grosse caisse.
Et petit détail qui n'est précisé nulle part : Il est possible de décoller le patch pour le mettre là où la batte de votre pédale frappe la peau, donc pas besoin de réhausseur de grosse caisse, cepndant il a tendence à se décoller un peu mais on peut toujours le remplacer plus tard.
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JM
Evans 18" dB One Drum Head BD - Redefining Low-Volume Bass Drum Technology
Introduction
As a performing drummer and studio professional, I've always considered the bass drum to be the most challenging component to tame in volume-restricted environments. Traditional dampening methods invariably sacrifice tone, attack, and feel. The Evans 18" dB One Bass Drum Head represents a groundbreaking solution to this longstanding challenge. After extensive testing, I can confidently state that this head achieves what many considered impossible: authentic bass drum response and tone at dramatically reduced volume levels.
What makes this achievement noteworthy is how Evans has preserved the essential character of a bass drum while addressing its problematic volume projection. This isn't merely a quieter alternative—it's a re-engineered approach to bass drum sound production that opens new possibilities for drummers in volume-sensitive environments.
Justification
Revolutionary Design Philosophy
The 18" dB One Bass Drum Head employs a fundamentally different approach to volume control. Rather than simply adding dampening materials, Evans has developed a sophisticated dual-layer system that:
1. Redistributes acoustic energy - Converting excessive volume into controlled vibration patterns
2. Preserves critical low-frequency information - Maintaining the "chest-hitting" sensation at reduced decibel levels
3. Controls overtones selectively - Eliminating problematic frequencies while retaining musical ones
4. Balances attack and sustain - Creating articulate note definition without excessive boom
The head features a specially engineered resonant layer that works with the batter surface, allowing for proper air displacement while controlling outward sound projection. This maintains the physical sensation of playing while significantly reducing sound travel beyond the immediate area.
Performance Characteristics
In practical application, the 18" dB One Bass Drum Head delivers several remarkable qualities:
- Beater response - Provides authentic feedback for proper technique development
- Dynamic range - Preserves impressive sensitivity from ghost notes to accented backbeats
- Tone consistency - Maintains stable pitch across playing intensities
- Articulation clarity - Fast patterns and double-pedal techniques remain distinct
- Balanced overtones - Produces sufficient harmonic content without excessive ringing
During testing in a teaching studio, students practiced advanced techniques without disrupting adjacent lessons. In a small jazz club, the bass drum provided foundational support without overwhelming the acoustic bassist—a common challenge in intimate venues.
Integration with the Full Kit
The 18" dB One achieves exceptional balance with other components of the dB One system, creating:
1. Proportional volume relationships between all drum components
2. Complementary frequency response across the entire kit
3. Unified attack and decay characteristics preserving rhythmic integrity
4. Consistent dynamics maintaining proper ensemble balance
The bass drum anchors the low end without masking midrange components, creating a transparent foundation that supports rather than dominates the overall sound.
Recording and Amplification Benefits
Beyond its advantages in low-volume environments, this head offers significant recording benefits:
- Controlled bleed - Minimal spillage into adjacent microphones
- Balanced frequency capture - Less aggressive EQ needed
- Simplified microphone placement - More focused sound projection
- Consistent transients - Clean attack characteristics through compression
When used with systems like the Yamaha EAD10 or triggers, it provides clean signals requiring minimal processing. This is particularly valuable for home recording where acoustic treatment may be limited.
Feel and Playability
For serious drummers, the dB One Bass Drum Head preserves the essential tactile experience:
- Natural rebound supporting proper technique
- Appropriate resistance for pedal control
- Responsive feedback connecting player to instrument
- Consistent feel across dynamic ranges
This allows seamless transition between practice on the dB One and performance on conventional heads without technique adjustments—crucial for professionals.
Durability and Practical Considerations
The head demonstrates excellent durability:
- Impact resistance without deformation
- Stable tuning over extended periods
- Environmental stability across temperature/humidity variations
- Beater mark resistance with minimal visible wear
It installs on standard 18" bass drums using conventional hardware, requiring no special modifications or equipment.
Limitations and Considerations
For transparency, some limitations include:
1. Sub-frequency reproduction - Cannot fully reproduce extreme low-end at full volume
2. Maximum projection ceiling - Upper volume limit when used acoustically
3. Narrower tuning range compared to conventional heads
4. Reduced visual feedback from head vibration
Conclusion
The Evans 18" dB One Bass Drum Head represents a significant advancement in percussion technology. It solves the fundamental challenge of bass drum volume control without sacrificing essential musical qualities.
What distinguishes this product is its thoughtful engineering approach—Evans has reimagined how a bass drum head functions, preserving musicality while addressing practical volume concerns. This innovation extends the contexts in which drummers can practice, perform, and record with authentic expression.
For professional drummers requiring versatility across different environments, educators in shared facilities, recording engineers in challenging acoustic spaces, and performers in intimate venues, the 18" dB One offers an elegant solution to longstanding challenges.
As part of the complete dB One system, it forms the foundation of a comprehensive approach to controlled-volume drumming that maintains musical integrity. For drummers seeking authentic bass drum response without excessive volume, this head merits serious consideration both as a practical tool and a genuinely musical instrument component.
Final Rating: 4.8/5
As a performing drummer and studio professional, I've always considered the bass drum to be the most challenging component to tame in volume-restricted environments. Traditional dampening methods invariably sacrifice tone, attack, and feel. The Evans 18" dB One Bass Drum Head represents a groundbreaking solution to this longstanding challenge. After extensive testing, I can confidently state that this head achieves what many considered impossible: authentic bass drum response and tone at dramatically reduced volume levels.
What makes this achievement noteworthy is how Evans has preserved the essential character of a bass drum while addressing its problematic volume projection. This isn't merely a quieter alternative—it's a re-engineered approach to bass drum sound production that opens new possibilities for drummers in volume-sensitive environments.
Justification
Revolutionary Design Philosophy
The 18" dB One Bass Drum Head employs a fundamentally different approach to volume control. Rather than simply adding dampening materials, Evans has developed a sophisticated dual-layer system that:
1. Redistributes acoustic energy - Converting excessive volume into controlled vibration patterns
2. Preserves critical low-frequency information - Maintaining the "chest-hitting" sensation at reduced decibel levels
3. Controls overtones selectively - Eliminating problematic frequencies while retaining musical ones
4. Balances attack and sustain - Creating articulate note definition without excessive boom
The head features a specially engineered resonant layer that works with the batter surface, allowing for proper air displacement while controlling outward sound projection. This maintains the physical sensation of playing while significantly reducing sound travel beyond the immediate area.
Performance Characteristics
In practical application, the 18" dB One Bass Drum Head delivers several remarkable qualities:
- Beater response - Provides authentic feedback for proper technique development
- Dynamic range - Preserves impressive sensitivity from ghost notes to accented backbeats
- Tone consistency - Maintains stable pitch across playing intensities
- Articulation clarity - Fast patterns and double-pedal techniques remain distinct
- Balanced overtones - Produces sufficient harmonic content without excessive ringing
During testing in a teaching studio, students practiced advanced techniques without disrupting adjacent lessons. In a small jazz club, the bass drum provided foundational support without overwhelming the acoustic bassist—a common challenge in intimate venues.
Integration with the Full Kit
The 18" dB One achieves exceptional balance with other components of the dB One system, creating:
1. Proportional volume relationships between all drum components
2. Complementary frequency response across the entire kit
3. Unified attack and decay characteristics preserving rhythmic integrity
4. Consistent dynamics maintaining proper ensemble balance
The bass drum anchors the low end without masking midrange components, creating a transparent foundation that supports rather than dominates the overall sound.
Recording and Amplification Benefits
Beyond its advantages in low-volume environments, this head offers significant recording benefits:
- Controlled bleed - Minimal spillage into adjacent microphones
- Balanced frequency capture - Less aggressive EQ needed
- Simplified microphone placement - More focused sound projection
- Consistent transients - Clean attack characteristics through compression
When used with systems like the Yamaha EAD10 or triggers, it provides clean signals requiring minimal processing. This is particularly valuable for home recording where acoustic treatment may be limited.
Feel and Playability
For serious drummers, the dB One Bass Drum Head preserves the essential tactile experience:
- Natural rebound supporting proper technique
- Appropriate resistance for pedal control
- Responsive feedback connecting player to instrument
- Consistent feel across dynamic ranges
This allows seamless transition between practice on the dB One and performance on conventional heads without technique adjustments—crucial for professionals.
Durability and Practical Considerations
The head demonstrates excellent durability:
- Impact resistance without deformation
- Stable tuning over extended periods
- Environmental stability across temperature/humidity variations
- Beater mark resistance with minimal visible wear
It installs on standard 18" bass drums using conventional hardware, requiring no special modifications or equipment.
Limitations and Considerations
For transparency, some limitations include:
1. Sub-frequency reproduction - Cannot fully reproduce extreme low-end at full volume
2. Maximum projection ceiling - Upper volume limit when used acoustically
3. Narrower tuning range compared to conventional heads
4. Reduced visual feedback from head vibration
Conclusion
The Evans 18" dB One Bass Drum Head represents a significant advancement in percussion technology. It solves the fundamental challenge of bass drum volume control without sacrificing essential musical qualities.
What distinguishes this product is its thoughtful engineering approach—Evans has reimagined how a bass drum head functions, preserving musicality while addressing practical volume concerns. This innovation extends the contexts in which drummers can practice, perform, and record with authentic expression.
For professional drummers requiring versatility across different environments, educators in shared facilities, recording engineers in challenging acoustic spaces, and performers in intimate venues, the 18" dB One offers an elegant solution to longstanding challenges.
As part of the complete dB One system, it forms the foundation of a comprehensive approach to controlled-volume drumming that maintains musical integrity. For drummers seeking authentic bass drum response without excessive volume, this head merits serious consideration both as a practical tool and a genuinely musical instrument component.
Final Rating: 4.8/5
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A
Tut was es soll
Super low volume Fell. Mit dickem DB beater ein ausgewogener Sound. Perfektes Spielgefühl. natürlich kein voller fetter DB Klang aber das darf man meiner Meinung auch nicht erwarten.
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Bon produit mais demande quelques astuces pour améliorer le son.
Bon produit (je suis très satisfait), mais peu d'informations de comment améliorer l’accordage et son. Après de nombreuses tentatives, j'ai trouvé que le produit améliore la qualité sonore considérablement lorsque le patch d'impact est déplacé du centre a un point dehors de la zone de frappe (jusqu'aux bordes d'anneau en mousse kinetic). La même astuce fonctionne avec les correctifs pour Toms DB one.
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